- Storyteller’s Rulebook #28: Let It All Hang Out
- Storyteller’s Rulebook Follow-Up: A Hero Split In Two
- Storyteller’s Rulebook #97: Polarize Your Protagonists...
- Storyteller’s Rulebook #98: ...But Don’t Play Favorites
- How to Create a TV Show, Part 12: Polarize Your Ensemble
- Rulebook Casefile: The Downside of Polarized Protagonists on “Girls”
- Rulebook Casefile: Reversible Behavior and Polarized Ensemble in Ghostbusters
- Another Podcast, The Wire and Dickens, and More Head Heart Gut to Come
- Real life Head, Heart and Gut in Humans of New York
- Head Heart Gut in The 40 Year Old Virgin
And here’s where I actually define it if you just want to skip to here:
- Creating a Polarized Ensemble, Part 1: The Pros and Cons of Polarization
- How to Create a Polarized Ensemble, Part 2: Two-Way and Four-Way Polarization
- How to Create a Polarized Ensemble, Part 3: Maintaining The Ensemble
- How to Create a Polarized Ensemble, Conclusion: Partial Polarization
- Rulebook Casefile: Polarization Meets Reality in “Deliverance”
- Rulebook Casefile: Head-Heart-Gut in “The Good Place”
2 comments:
Thanks for compiling all this -- exactly what I was looking for this morning!
This was a really insightful post, especially the way you explained balancing head, heart, and gut in storytelling. It makes character creation feel more layered and meaningful. After reading something like this, I usually take a short break and play Geometry Dash to refresh my mind.
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