Podcast
Monday, May 27, 2013
Monday, December 26, 2011
Sunday, December 25, 2011
Thursday, December 22, 2011
Thursday, November 24, 2011
Wednesday, May 04, 2011
One of Those Days
Sunday, April 03, 2011
Thursday, December 23, 2010
Thursday, November 25, 2010
Friday, July 09, 2010
Great Moments in Comics #17: The Adventures of Two-Gun Bob

I’ve talked a lot about Robert E. Howard this week, creator of Conan, Kull, Solomon Kane, and many more adventure heroes. But Howard is also the star of a non-fiction comic strip that runs in the back of all of the Dark Horse comics that are licensed from Howard’s properties. An old English major / history buff like me loves the idea of turning an author’s bio into a comic and parceling it out in neat little half-page vignettes that often feel like zen koans. The strip is beautifully done by Jim and Ruth Keenan, who also have a blog. They don’t collect all the strips there, though, and for some reason they get left out when the comics themselves are reprinted. Track down the individual issues to enjoy this neat look at a fascinating, ornery guy. Here's a few of my favorites from the early days of the strip:



Saturday, July 03, 2010
Comics I Love Even Though I've Only Seen the Covers #16: Wartime Romances
Friday, July 02, 2010
Great Moments in Comics #15: Madame Fatal Gets Her Man

Pappy recently highlighted one of my favorite costumed adventurers from the early days of comics. Art Pinajian’s “Madame Fatal” is a beautifully simple concept—so simple that it makes all the other superheroes that much sillier. Think about it—If you wanted to fight crime on your own, would it actually make sense to dress up like a big scary bat and try to intimidate these macho thugs, or would it make more sense to dress up like a little old lady and approach them when their guard was down? If you’re serious about putting the smack-down on crime, the little old lady act is probably the way to go. Here’s a story from, where else?—Crack Comics #3:





Saturday, June 19, 2010
Great Moments in Comics #14: Ditko's Mr. A

I’m no Randian, but I love Mr. A more than anything. It’s like the rosetta stone of all other comics: Mr. A says out loud what other heroes merely imply—he actually gives impromptu lectures about why he should be allowed to use force while he’s beating up the bad guys! One thing I love about this comic is that, for all its claims of moral certainty, Ditko and Mr. A himself never stop thinking about this stuff. Each page in this short story ends in a philosophical dissection of the story so far, diagrammed onto Mr. A’s symbol: a card on which black and white do not mix. But by page 6, he’s already had to adjust the diagram to show how corruption causes the two sides to bleed through onto each other. Maybe the world wasn’t all black and white after all… Maybe he just wanted it to be that way.








Saturday, June 12, 2010
Great Moments in Comics #13: Kirby from Pappy's






Saturday, June 05, 2010
Great Moments in Comics #12: A Monument to Mortimer

After coming across yesterday’s stories, I decided to track down some more on my own and I’m now officially addicted to Atlas’s four-page sci-fi stories! (Atlas would later transform into Marvel Comics) My new favorite is “A Monument to Mortimer” from Journey Into Unknown Worlds #20, a story about a futuristic society who celebrate the life of one despicable little kid from the ‘50s. The reason why cracked me up! The artist was Hy Fleischman but the writer is unknown...



Friday, June 04, 2010
Great Moments in Comics #11: Torres is Astonishing

Until I saw these stories, I was only familiar with Angelo Torres from his later Mad Magazine work, which was good but never excited me. I was blown away by this post showing several of Torres’ early sci-fi stories, done in a lush style reminiscent of the late Frank Frazetta. It turns out that these are actually from a book I’ve already highlighted in “Comics I Love Even Though I’ve Only Seen the Covers”, Astonishing. I would have assumed that the insides were just EC Comics knockoffs, but, upon reading these, I discovered that I loved the writing on these pithy little stories almost as much as the art. EC stories were all 7-8 pages and too verbose. These four pagers are much tighter and really hit the spot. Here’s my favorite, but check out the others too:

