Why This One: I haven’t watched SNL in years, but after I saw Wiig in two scenes in Knocked Up, I thought, “Wow, she could go far.” How nice that things actually worked out that way! Co-writing with Annie Mumolo under the direction of Paul Feig, Wiig created a shockingly authentic character in the middle of a broadly farcical plot.
Rules it Drove Home:
- Begin With A Self-Contained Interaction That Encapsulates the Theme: We meet Wiig and Rudolph as they do sit-ups in the park while hiding behind a tree, in an attempt to take advantage of a hardcore personal trainer’s class without paying him. We like them right away: they’re clever, resourceful, and engaged in physical exertion! But after he catches them and chases them away, a funny thing happens: he gets the most pitiful look on his face and whimpers: “It’s only five bucks!” Surprisingly, our sympathy shifts to him! This pre-figures the arc of the movie, as we go from rooting for Wiig to “win” to rooting for her to take responsibility for her life.
- Know Why Their Friends Like Them: Now let’s go to the second scene, as our heroines flee to a diner. This is one of the most likeably-goofy friendship scenes I’ve ever seen. Too many rom-coms sacrifice the friend on the altar of the lead’s likability. The friend is usually shrill, or air-headed, or super-slutty, in order to make the lead seem better by comparison. Wiig knows better, since the friendship is the heart of this movie, and this scene really sells that.
- Screw-Ups Don’t Screw Up All Day Long: In the comments sections recently, we’ve talked about how hard it is to make an audience care about self-loathing heroes, but Wiig’s character is an example of how to do it right. She hapless, but not hopeless: She’s sleeping with Jon Hamm, fer chissakes! That makes it clear that yes, she has pretty-good options in life, but she’s just hit a ceiling that she can’t get past. We want her to have more self-respect, because we think she deserves more self-respect.
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