- The series didn’t seem to have the time or the inclination to deal with the weight or ramifications of these killings, either for Eleven or the for the victims. The two agents she seemingly kills in the pilot (in the kitchen of the diner) disappear off screen so quickly, you hardly notice them.
- Instead, the killings are presented in a stereotypically “badass” way. I especially hated it when she cocks her chin to snap two guards’ necks in a flashback in a later episode.
- Worst of all, the story doesn’t need all this killing. She could just as easily have incapacitated these people by putting nightmares in their heads that make them collapse in horror, or made them writhe in pain with nosebleeds, or simply knocked them out psychically. Those all could have looked just as badass.
Such killings also constitute a big plot hole. As we see, family members tend to demand the truth when people disappear, and presumably Dr. Brenner would have his hands full at this point dealing with aggrieved relatives. (And that’s not even counting all the people killed by the monster or disappeared into the Upside-Down!)
Like a lot of stories that were actually made in the 80s, this series tries to walk a tricky line: a horror story about kids that will hopefully be equally appealing to teens and grown-ups: A celebration of innocence and experience at the same time, juxtaposing and combining the sensibilities of Mike and Hopper. For the most part, the series succeeds wonderfully, but I think it would have been even better if she was just knocking all those people out (in a horrific and badass way, if you prefer).