The initial statement of philosophy is inherently ironic, because it’s wrong. The hero’s words to live by are ruining his life, or at least holding him back. But when the correct statement of philosophy arrives three-quarters of the way into the story, there’s a danger that it will seem preachy or lame, as if it’s “the moral of the story”. One way to get around this is to have the corrected statement of philosophy be delivered in an ironic way.
We’ve looked at two examples of this recently in sitcom pilots. In both cases, the sitcom was trying to maintain an “edgy” tone, and they didn’t want to break that for a moment of sentiment, so they found a way to deliver the true statement or philosophy ironically:
- In the “Community” pilot, Jeff is delivering a disingenuous speech in order to break up the study-group early so that he can seduce Britta. He doesn’t realize until halfway through that his bullshit is actually something he himself needs to hear.
- In the “Modern Family” pilot, it sounds as if Jay is delivering a heartfelt summation of the episode in a voiceover, but then we cut to him and he’s reading his stepson’s ludicrous love-letter, shaking his head in derision the whole time.
- “Here I go again on my own! Goin’ down the only road I’ve ever known! Like a drifter I was born to walk alone! ‘Cause I made up my mind! I ain’t wastin’ no more time! So here I go again!”
The most fundamental dilemma in storytelling (or life) is individualism vs. solidarity. Every battle that tears America apart, culturally, economically, and politically, is fueled by that irresolvable dilemma. In this scene, Micky and Dicky finally solve their conflict by embracing a paradox.