Tuesday, January 17, 2012
Film School Confidential, Part 3: It Feeds Your Worst Instincts
If I had to summarize the message of film school in two words, it would be these: “Never Compromise.” Occasionally, they would bring in indie filmmakers to show their latest films. This was during a period when the audience for indie films was plummeting, and these filmmakers should have been adapting, but instead they were determined to go down with the Titanic.
Time after time, students would stand and say, “Your movie is so uncompromising! How do you resist the pressure to give in to notes?” And the filmmaker would tell them to be strong and always remember: “Never compromise!” As I pointed out before, this is terrible advice.
Here’s a typically painful example. I was a big fan of Slums of Beverly Hills and its director, Tamara Jenkins, so I was excited when she brought her long-awaited follow-up, The Savages. This was a movie about a brother and sister who have to take care of their indigent, unloving dad in his final days. They get more and more annoyed with him, and they they realize more and more that he’s really messed them up, and then finally… they get a call from the nursing home that dad’s dead. End of movie.
As the lights went up, I thought. “Gee, that was almost great, but it had no ending. The kids never confront their dad!” Sure enough, in the Q and A, Jenkins said that most studios and even most indie producers begged her to add a scene where the kids have it out with their dad. Even the production house that actually made the movie told her that they would give her twice the budget if she added such a scene. But no! She stuck to her guns! And let that be a lesson to us! Never compromise! (aka “Never fix your movie”)
Now obviously, the school can’t be blamed for the words of one visiting director, but this was a very typical example of what classes were like as well.
As with any art school, most of the professors were somewhat disappointed about their own artistic careers, but rather than say, “Oh well, maybe I should have been more of a team player,” they took the opposite message. They concluded that: “I was denied by a system that demanded that I compromise. Now that I’m teaching film school, I can create a utopian new generation that will end the era of compromise once and for all!”
Obviously, this is crazy. But why didn’t the school feel any responsibility to teach us the skills we would need to make careers for ourselves? Because of the incentive structure behind these programs, which we’ll get to tomorrow…