Podcast

Wednesday, August 16, 2023

The Expanded Ultimate Story Checklist: Is the dialogue more concise than real talk?

Dialogue should be as realistic as possible, with two big exceptions: It should be more succinct and have more personality. The danger, of course, is that you’ll accomplish this by giving every character the gift of sparkling, sophisticated banter, but that’s not what I mean at all. 

Instead, consider this exchange from the first X-Men movie, after Wolverine returns from fighting a shape-shifting villain:
  • Wolverine: Easy, it’s me. 
  • Cyclops: Prove it. 
  • Wolverine: [thinks, then] You’re a dick. 
  • Cyclops: [thinks, then] Okay. 
That is one of the few memorable moments in the movie, but the offhand delivery of these three little words is enough to make Hugh Jackman a star and launch a franchise—and it’s the opposite of sophisticated banter. Never write a page of banter when three words will do.

This also works for deeper dialogue in novels. Nobody was more famous for economy than Ernest Hemingway, and this abrupt exchange from The Sun Also Rises proves it:
  • “Oh Jake,” Brett said, “we could have had such a damned good time together.” 
  • “Yes,” I said. “Isn’t it pretty to think so?”

The 40 Year Old Virgin

YES.

Alien

YES, it’s very slight and muttered.

An Education

YES. “I suppose you think I’m a fallen woman.” “Oh, you’re not a woman.”

The Babadook

YES. Yes. 

Blazing Saddles

YES.

Blue Velvet

YES. All of Jeffrey’s plans are concisely laid out.  

The Bourne Identity

YES. “How could I forget you?  You’re the only person I know.”

Bridesmaids

YES.

Casablanca

YES. very much so. “He’s like any other man, only more so.”

Chinatown

YES.

Donnie Brasco

YES.  

Do the Right Thing

YES.

The Farewell

YES.

The Fighter

YES.

Frozen

YES.

The Fugitive

YES. Very much so.

Get Out

YES.

Groundhog Day

YES. “Did you sleep well?” “I slept long.”

How to Train Your Dragon

YES.

In a Lonely Place

YES.

Iron Man

YES. Exchange with reporter outside his car packs a huge amount of character work and big theme ideas into quick sexy banter.

Lady Bird

YES.

Raising Arizona

YES.

Rushmore

YES.

Selma

YES. As I said, a 45 minute meeting is boiled down to 4 minutes.  Being denied King’s speeches gave the filmmakers more freedom to whittle them down to 2 minutes each.  

The Shining

YES.

Sideways

YES.

The Silence of the Lambs

YES. Everything is very clipped.

Star Wars

YES.

Sunset Boulevard

YES.

No comments: