Tuesday, November 14, 2017
Storyteller’s Rulebook: To Prologue or Not to Prologue?
When we begin to read a book, we’re desperate for a hero. We want to find one character we can believe in, care about, and invest in, then settle in comfortably to that character’s POV as we launch into this book. But sometimes it’s not convenient to begin your book that way. Sometimes you have a good reason to begin your book away from your hero’s POV.
Maybe you want to begin with a scene featuring the eventual villain, or one of the victims of that villain. Maybe you want to begin in the past before your hero had his or her current personality. In each of those cases, you have a problem: You’re not presenting the audience with what they want, a fully-realized hero in the story’s modern-day to start the story with. The danger is that they’ll try to bond with whatever character you’re giving them, only to find them woefully insufficient, because of course this isn’t your hero yet.
One solution is to tip off your audience that this isn’t your hero yet by declaring those opening pages to be a prologue, not chapter one. This is a way to buy yourself some time. You’re assuring your reader: Don’t be alarmed if you can’t find anybody to care about yet, the book hasn’t really begun yet, this is just to establish plot or tone or whatever. Character will have to wait.
This way, you can maybe get a few more pages out of your gatekeeper as well.You can’t put it down after five pages if you haven’t even gotten to chapter one yet! You at least have to give me that long.
So all of these are reasons that the opening pages of Harry Potter book 1 could have been identified as a prologue. We begin in the POV of Mr. Dursley, of all people, for five pages, then jump briefly to a cat, then Dumbledore, then meet our hero as a baby. It’s only in the next chapter that we’ll jump ahead ten years and the real narrative begins.
But Rowling calls her opening Chapter One. Is it possible that this hurt her with the twelve publishers that rejected her? Would they have kept reading longer if they had been reassured that Mr. Dursley wasn’t going to be the hero of the book?
Would there have been any downside to declaring it to be a prologue? Would it seem too fussy? Would kids be less likely to pick it up if it didn’t seem like it would get going right away? Or is there some fear that they would simply skip those pages?
Ultimately, the book sold, and caught on like wildfire, and now it’s the first book that many kids read on their own, so clearly it did something right. Maybe we should do away with prologues altogether? What do you think: Is this intro better off as a prologue or chapter one?