- The Listen-and-Accept Scene: Two characters listen to each other and accept each other’s information. They may be surprised or upset, but they don’t reject what they’re hearing as untrue. There’s no conflict, nobody does anything they didn’t intend to do, and nobody is clever.
- The Listen-and-Dispute Scene: Two characters tell each other things, but one or both of them rejects the other’s statement, so they argue, and then leave. There’s conflict, but nobody does anything they didn’t intend to do and nobody is clever.
- The Extract-Information-or-Action-Directly Scene: Same as above, but one of them directly convinces the other that they’re wrong and gets the other one to give them what they want. There’s conflict and one person does something they didn’t intend to do, but nobody is clever.
- The Extract-Information-or-Action-Through-Tricks-And-Traps Scene: Same as above, but one of them tricks or traps the other one into giving up something unintentionally. There’s conflict, one person does something they didn’t intend to do, and one person is clever.
- The Both-Try-to-Trick-Each-Other Scene: This is as tricky as it gets. There’s conflict, at least one character does something they didn’t intend to do, and both are clever.
As Andy
leaves his apartment with his bike, the retired black couple on their porch
upstairs teases that he should get a car.
|
1: They
have a friendly conversation (but we hear that they think he’s a loser)
|
Andy and
Cal chat about their weekend: Cal saw a donkey sex show, Andy made an egg
salad sandwich.
|
1: They
have a friendly conversation (but we see that Cal thinks he’s a loser)
|
Cal, David
and Jay debate asking Andy to their poker game. They ask him to play that
night in the store in store.
|
1: They
talk themselves into asking him, he’s happy to do it.
|
At the
poker game, Andy cleans up, but when the talk turns to sex stories, the
others realize that he’s a virgin.
|
5 He tries
to deceive them, but they trap him into admitting that he’s a virgin.
|
Everybody
at work wants to talk about it.
|
2: They
all mock him, he accepts it, until he rejects it.
|
Andy
flees. David chases him, corners
him, convinces Andy to come to a coffee shop and talk it over…
|
3: David
finally convinces Andy to come to a coffee shop.
|
In the
coffee shop, David asks how this could have not happened. Andy agrees
to go out with them.
|
3: David
finally convinces Andy to come out with them.
|
They get
ready to go out. His shirt is
too yellow.
|
2: They disagree
about his shirt choice, but agree to disagree.
|
At the
club. Jay tells him that he has
to hook up with drunk bitches.
They join a wedding party. Andy meets a frisky girl who grabs his
pants and then kisses him.
|
1: They
flirt and they’re both into it.
|
They drive
away. She’s drunk. They wreck. She throws up on him. “I’ll still have sex with you, if
you want.”
|
3/5: He implores
her to drive better, she tries to trick him affirming her insecurities in
various ways.
|
He tells
the guys about it the next day as they smash florescent bulbs. Jay tells him he’s putting the pussy
on a pedestal. Andy won’t say
pussy anymore. You said you
wouldn’t pressure.
|
2: They
implore him to stay at it, but he rejects that advice.
|
Andy is
told to sell to Trish. She works at the “we sell your stuff on eBay store.”
|
4: She traps
him into accepting her number.
|
He gets
waxed.
|
2: They
directly goad him into doing it, he finally rejects the whole thing.
|
He and Cal
take out a TV. Cal tells him
that he has to just ask questions.
|
1: He
briefly rejects, then accepts the advice.
|
Andy hits
on Elizabeth Banks by just asking questions. It works well.
Cal tells him to follow up later.
|
4: He
lures her in using a trick.
|
David
brings over his box of porn, suggests masturbation.
|
2: Andy
rejects David’s advice.
|
At work,
they invite him out to lunch.
“We brought you a shirt.”
|
2: He
resists them but caves.
|
They
arrive at Date-a-Palooza. Andy tries the ask questions method again.
|
5: He
tries to use his questions trick again and fails. Various people lay various traps for each other.
|
Jay’s
girlfriend Jill comes in, she found his speed-dating card. Andy picks on
Jay’s hint and convinces Jill that it’s his. Later, Andy is sent out on the
floor, but won’t talk to any women, so they all agree to a new plan.
|
5: Andy
and Jill are trying to trick each other. He succeeds.
The others agree to lay a trap for Andy.
|
Andy shows
up for the party. It’s just a
transvestite prostitute.
|
4: Andy is
tricked into it, sees through it instantly and leaves.
|
They all
sit around watching Jason Bourne.
Andy tells them that’s it.
|
4: He
traps them into no longer setting him up by threatening to let the boss know
they’re stealing CDs.
|
Andy goes
across the street to hit on Trish.
“Do you wanna go out sometime?”
|
1: He
asks, she accepts.
|
Andy calls
Trish and arranges a date.
|
1: He
asks, she accepts.
|
Cal and
David are at his house. They say that the action figures might be a problem.
|
3: They
confront him and force him to change his behavior.
|
Trish
knocks at the door. His
apartment is empty. “I’m having
new carpet put in tomorrow.”
|
4: He
tricks her out of investigating.
|
Andy and
Trish are at Benihana. She has them sing Happy Birthday for Andy. She kisses him on the cheek.
|
4: She lures
him into relaxing having a good time with the birthday song.
|
That
night, they’re fooling around.
He doesn’t know how to put on a condom, which means that he goes
through a whole pile. Trish’s daughter Marla and a boyfriend come in, see the
pile of discarded condoms and says, “Dude, teach me.”
|
1: Just a
big misunderstanding. The
arrival of the daughter keeps him from doing what he wanted to do, but nobody
intentionally changes anybody else’s behavior.
|
Paula hits
on him. He’s not interested. He
tells Cal and Jay that Trish has a kid. “You don’t want any baby-daddy
drama.”
|
2: He
rejects her pass, they reject his defense of Trish.
|
They eat
at a nice restaurant. She
reveals she’s actually a grandmother. They agree to 20 dates without sex.
|
4: He
tricks her into extending the number of sexless dates.
|
They’re
making out when her daughters Marla and Julia come in. He uses magic on Julia, rips off her
hear. Marla rolls her eyes.
|
4: He
literally uses (magic) tricks to win Julia over, and even Marla to a certain
extent.
|
Andy calls
Cal and says she’s a grandmother.
|
1:
Peaceable exchange of info.
|
Paula
tells him that he’s being promoted to floor manager. “The doors always open, so to speak.
I’m very discreet. But I’ll
haunt your dreams.”
|
1:
Peaceable exchange of info.
|
Jay talks
to Kevin Hart, who wants a “brother
discount.” Andy is sent in to break it up.
|
3: Andy
makes Hart back down.
|
Andy talks
to Jay in the back room. Jill
broke up with him. “Why’d you cheat on her?” “Because I’m insecure, you can’t
tell?”
|
3: I guess
technically Andy gets Jay to do something he didn’t want to do (confess
insecurity), but it took no effort.
|
Andy and
Trish talk. He admits that he’s thinking about starting his own stereo
store.
|
1:
Peaceable exchange of info.
|
Andy is
called in to help Trish: Marla wants permission to have sex and she’s locked
herself in the bathroom:
|
3: All
three confront each other until Andy coaxes Marla out.
|
Andy takes
Marla to a sex clinic. Marla is
made fun of for being a virgin.
Andy sticks up for her by telling them that he’s a virgin too.
|
4: Andy
feels trapped into admitting that he’s a virgin by the group.
|
Marla
drives him home. “I made that
all up.” “Uh, no you didn’t.”
|
3: She
confronts him and forces him to re-affirm it.
|
Jay shows
off his ultrasound video.
|
2: They
deny his claims about his fetus’s penis size.
|
Trish and
Andy finish selling his stuff.
It’s the 20th date.
Andy still refuses sex and they fight.
|
2: Each
disputes the other, but neither changes his/her mind.
|
Jay and
Jill’s party. Andy drinks. He
runs into the bookstore girl who invites him to her place. “Hope you have a big trunk, because
I’m putting my bike in it.
|
1:
Peaceable exchange of info.
|
Marla
comes home to Trish and finds out they had a big fight. She convinces her mom to seek Andy
out.
|
3: She
confronts her mom about making this work.
|
Andy and
bookstore girl undress in her bedroom.
|
1:
Peaceable exchange of info.
|
In the
bathroom, bookstore girl pretends to whip him with a belt. “Wow, this is
awkward.”
|
1:
Peaceable exchange of info.
|
Andy
leaves the bathroom. The guys
are there in the apartment. They convince him to go make it work with
Trish. Cal stays.
|
3: They
confront him and convince him to leave.
|
Andy
arrives home. Trish is there.
She’s freaked out about the box of porn. She runs out.
|
2: They
each dispute what the other has to say, neither is convinced.
|
He crashes
into her car. He instantly confesses that he’s a virgin.
|
1:
Peaceable exchange of info.
|
They get
married under a gazebo.
|
1:
Peaceable exchange of info.
|
They go to
consummate at the hotel. A guy
is buffing the floor. Andy orders him out. They finally do it. One minute
later title card. Wanna do it
again? Two hours later title
card.
|
3: Andy
convinces the buffer to leave.
She convinces Andy to try it again.
|
So wow, A.D. was onto something. That’s a lot of 1s and 2s in this movie and very few 4s and 5s. In fact, it’s pretty astounding how gentle this movie is. A lot of the conflict that you would expect to find just isn’t there.
For one thing, outside of the speed dating scene, nobody ever turns Andy down (and even there he bats over 500). The rejection that he’s expecting simply fails to materialize. You would expect that each of his friend’s advice would result in a failed pass, causing him to move on to the next one, but that doesn’t happen.
- First, he tries Jay’s way (hit on drunk girls), and it works, but he backs out of the deal after she vomits on him (even though she then says “We can still have sex if you want”).
- Then he tries Cal’s way (ask questions), and that works too, but he doesn’t follow up right away with the bookstore girl.
- Then he tries what is essentially David’s way, pursuing a real relationship with Trish, and that works too. (Although, as with the previous two, he eventually gets scared off.) In the end, he has a smorgasbord awaiting him of three successful methods.
So why isn’t this more of a problem? Apatow does the remarkable: he gets us to laugh at a gentle world without any hard edges. We’re mostly laughing with and rarely laughing at. Even the biggest “laughing at” scene, the chest waxing, is notable for its benevolence. The traditional way to do this would be to amp up the harshness, so that we identify only with Andy and share his isolated suffering, but the three guys and even the waxer herself are wincing in pain for Andy with every pull. Even when the waxer finally starts giggling as she winces, it seems like she’s laughing with Andy’s imaginative swears, not at them.
Mel Brooks famously said, “Tragedy is when I cut my finger. Comedy is when you walk into an open sewer and die,” but that’s not Apatow’s philosophy. Instead, he gets us to say “I want to be there. I want to hang out with those guys. I wish those were my friends.” There’s still pain, awkwardness and humiliation, but never cruelty. He isn’t cruel to his own characters and they’re never cruel to each other. It turns out that you can be good at humor and still be good humored.
That must've taken a while... good work! I'd love to see more of these. They're more eye-opening than the checklist road tests, IMO, because they reveal the micro-flow of the story and not just the bones.
ReplyDeleteGod Matt is a machine!!
ReplyDeleteI wonder whether "feel-good", earnest movies tend to have fewer 5 and 4 scenes. It's less stressful to watch, and if you get the viewer to stay by other means they'll enjoy the movie. Perhaps with likable cuteness à la dog movies (or maybe those movies do indeed have many '5' scenes). Or, as j.s. (hope j.s. is okay!) might have put, watching the hero figure out solutions like in ALL IS LOST (which I haven't scene, so these thoughts are merely untested hypotheses, although I doubt the ocean will use tricks-and-traps more than direct confrontation. Either way, the hero in ALL IS LOST, if I'm not mistaken, would use action tricks/traps to survive, not dialogue ones.). Also, ALL IS LOST is not a "feel-good" movie I suppose.
Aug 30 2019