Cockeyed Caravan
Friday, October 23, 2020

Believe Care Invest: CSI

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Why Gil might be hard to identify with:  We’re used to seeing the heroic cops meet with the science guy in just one scene per episode. We l...
Thursday, October 22, 2020

Believe Care Invest: Community

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Why Jeff might be hard to identify with:  He’s a lawyer (who faked his law degree.)  He’s a cheater.  He’s a cad. He’s a liar. Believe I ab...
4 comments:
Wednesday, October 21, 2020

Believe Care Invest: Cheers

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Why Sam might be hard to identify with:  He’s a bar owner, which is not generally regarded as a heroic profession. He seems like he might b...
Tuesday, October 20, 2020

Believe Care Invest: Breaking Bad

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Why Walt might be hard to identify with:  If we hadn’t seen him brandishing a gun in the flashforward, we might find him too much of a sad s...
Monday, October 19, 2020

Believe Care Invest: 24

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Why Jack might be hard to identify with:  Not much reason yet. We can’t guess yet that he’s a torture-crazy psychopath (as opposed to the s...
Friday, October 16, 2020

Episode 22: The Holy Moment

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The Secrets of Story Podcast · Episode 22: The Holy Moment Hi guys, it’s a new podcast episode, ad-free! James has advice for writing ope...
10 comments:
Thursday, October 15, 2020

Storyteller's Rulebook: Superlative Writing Basics in "The Intuitionist"

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As I said yesterday, there were several elements of “The Intuitionist” that made it hard to identify with Lila Mae. So if I was alienated f...
Wednesday, October 14, 2020

Believe Care Invest in “The Intuitionist”

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Why Lila Mae might be hard to identify with: Well, first of all she might be hard to identify with because she’s an elevator inspector, whic...
Friday, October 02, 2020

So That's Over...

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Well, folks, we have left the podcast network. I have now re-re-edited all the old podcasts, taken out the network tag, added the latest ep...
3 comments:
Wednesday, September 30, 2020

The Annotation Project: The Intuitionist

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A fun modern classic.   Download these annotations here . Much discussion will be had. 
Tuesday, September 29, 2020

The Farewell: The Archive

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The Ultimate Story Checklist: The Farewell Storyteller’s Rulebook: How to Write Dramedy Storyteller’s Rulebook: Specificity is Universal St...
Saturday, September 26, 2020

Straying from the Party Line: The “Passive” Protagonist of The Farewell

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There were many Western ways for The Farewell to end:  Billi can’t take it anymore and confronts her Nai Nai with the truth. Billi agrees t...
Friday, September 25, 2020

Rulebook Casefile: Physical Vulnerability in The Farewell

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I say in my checklist that characters should be both emotionally and physically vulnerable, but is that true in The Farewell ?  Billi is ver...
2 comments:
Thursday, September 24, 2020

Believe Care Invest: The Farewell

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Alright, damn you people, I’ve gone back to BCI from CCC, but I reserve the right to re-revert at any time!  Why Billi might be hard to iden...
2 comments:
Wednesday, September 23, 2020

Storyteller’s Rulebook: It’s Hard to Shout Your Humility to the Hills

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So let’s talk about a fundamental problem with stories like The Farewell .  Perhaps my favorite novel is “A Fan’s Notes” by Fred Exley. Lik...
Tuesday, September 22, 2020

Storyteller’s Rulebook: Specificity is Universal

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Joseph Stein, who wrote the book for the musical “Fiddler on the Roof” says of its creation :  “We originally had very little hope of its e...
2 comments:
Monday, September 21, 2020

Storyteller’s Rulebook: How to Write Dramedy

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Dramedy is a tricky genre. We’ve looked at Sideways , which has some broadly comedic scenes, some entirely dramatic scenes, and lots of wry...
2 comments:
Sunday, September 20, 2020

The Ultimate Story Checklist: The Farewell

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Billi is broke Chinese-American would-be writer in New York, who finds out that her beloved grandma Nai Nai back in China is dying, a...
2 comments:
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About Me

Matt Bird
Evanston, Illinois, United States
My book "The Secrets of Story: Innovative Tools for Perfecting Your Fiction and Captivating Readers", from Writer's Digest Press, is available in all fine bookstores. I have an MFA in Screenwriting from Columbia University.
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