Cockeyed Caravan
Sunday, March 06, 2016

What the Matter with Hollywood: America’s Vanishing National Resource: The DVD Commentary

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As a general rule, the internet is obsessively comprehensive about geeky things, but it’s always had a few baffling blind spots, so let’s ...
2 comments:
Thursday, March 03, 2016

Humans of New York Week: Backtracking is Always Likable

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One last quick one: One form of dialogue that’s always likeable is a confidence collapse. The hero tries to do something strong (or supp...
Wednesday, March 02, 2016

Humans of New York Week: The Power of Specific Syntax (With Kids, For Example)

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Kids are some of the hardest characters to write because their syntax is so specific and inimitable. As with any type of syntax, every se...
Tuesday, March 01, 2016

Humans of New York Week: Nailing the Quick Backstory

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I’ve been quite dismissive of dependence on backstories, but they can be great if they’re quick, illuminating, and full of specific humani...
Sunday, February 28, 2016

Humans of New York Week: Out of Character Intros

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I’m still working on long-term stuff, but in the meantime I figured we could do another week pulling from the “Humans of New York” site....
Wednesday, February 24, 2016

Under Construction

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Hi guys, I’m working on some longer-term blog stuff, so give me a bit.
2 comments:
Sunday, February 21, 2016

TV Checklist Updates!

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So I’ve updated all of the older v2 TV checklists to the current v3! Check them out to see lots of new answers and relive the oldies but g...
1 comment:
Thursday, February 18, 2016

Storyteller’s Rulebook: The One Great Character Intro Scene

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As I mentioned last time, Michael Lewis creates great characters from real-life material. He interviews his subjects at length, interview...
1 comment:
Tuesday, February 16, 2016

Storyteller’s Rulebook: Give Them a Big Hole to Fill

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How do you make heroes sympathetic when they’re well-off and getting much wealthier? This is a problem in movies like The Big Short , as ...
3 comments:
Sunday, February 14, 2016

Best of 2015, #1: The Big Short (and the Courage Not to Adapt)

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You might recall that, a few years ago, I quoted the book “The Big Short”, so I’m on record as liking that, too, but I will be the first to ...
2 comments:
Thursday, February 11, 2016

Rulebook Casefile: Cutting Out the Downhill Side of The Martian

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It haunts me still, that baffling dismissal I got from my manager: “At a certain point it all rolls downhill .” I’ve spent years trying to...
1 comment:
Wednesday, February 10, 2016

Rulebook Casefile: Foreshadowing Too Much in The Martian

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Now let’s look at one aspect of The Martian that was stronger in the book than the movie, and figure out why. I saw the movie first, and ...
Monday, February 08, 2016

Storyteller’s Rulebook: Never Let Anyone Compliment Your Hero

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One of the many charges that was leveled against The Force Awakens was that of Mary Sue-ism. Wikipedia defines a “Mary Sue” as “an ideal...
7 comments:
Sunday, February 07, 2016

Best of 2015, #2: The Martian

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I have so much to say about this movie that I’ll spend the week on it, but, as with the other movies, let’s start with a rule it exemplifi...
Thursday, February 04, 2016

Best of 2015 #3: Carol

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This time let’s talk about some of the things we covered in the Books vs. Movies series.  In some ways, novelists have it much easie...
Tuesday, February 02, 2016

Best of 2015, #4: Mad Max: Fury Road

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This movie does one of those things I hate, but it gets away with it, so let’s try to figure out why. I’ve complained in the past about m...
3 comments:
Sunday, January 31, 2016

Best of 2015, #5: Trainwreck

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It's ridiculous, I realize, to rank a movie like this above serious and powerful movies like The Revenant or Spotlight, but I always try...
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About Me

Matt Bird
Evanston, Illinois, United States
My book "The Secrets of Story: Innovative Tools for Perfecting Your Fiction and Captivating Readers", from Writer's Digest Press, is available in all fine bookstores. I have an MFA in Screenwriting from Columbia University.
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