Cockeyed Caravan
Monday, November 05, 2012

Storyteller's Rulebook #161: Genius Doesn’t Innovate, It Cultivates

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When we look back at an artwork that has become known as a work of genius, it often seems as if this work innovated a bunch of new conce...
2 comments:

Quick 21 Days Update

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The 3-8 pages regime has worked really well, but , alas, I just missed my first day after  13 days straight.  The problem is that I finis...
1 comment:
Sunday, November 04, 2012

Rulebook Casefile: Empathy Lost and Regained on “Breaking Bad”

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Last time , I talked about the need to understand the hero’s goal and primary motivation, early on, even if the hero is withholding other ...
6 comments:
Thursday, November 01, 2012

Storyteller’s Rulebook #160: The Hero’s Goals Can’t Be A Mystery

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If you read the “Amateur Friday” scripts that Carson gamely posts and reviews on Scriptshadow , one thing you see over and over is scripts w...
1 comment:
Wednesday, October 31, 2012

Storyteller’s Rulebook #159: The Villain Needs A Solid Motivation Too

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You’ve heard me say that I loathed Dark Knight Rises , and that I liked Avengers for the most part.   Another recent action movie that I ...
12 comments:
Monday, October 29, 2012

Storyteller’s Rulebook: #158: The Paradox of Genre Fiction

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I’ve been praising a lot of comedies recently, which may make you think that I’m only interested in light-hearted cheesiness these days. ...
4 comments:
Sunday, October 28, 2012

Storyteller’s Rulebook #157: People Hate Stuff

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Sweet Liberty is the story of a history professor who undergoes the indignity of watching his historical novel turned into a ludicrous H...
8 comments:
Thursday, October 25, 2012

Storyteller’s Rulebook #156: Successes and Failures Should Be Ironic

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I’ve talked before about many different types of storytelling irony , and how you should employ as many as possible.   Irony is the hear...
2 comments:
Wednesday, October 24, 2012

Rulebook Casefile: Motivation and Sympathy in Talladega Nights

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Guys like Luke Wilson and Ron Livingstone thought that they would have long healthy careers playing “everyman” roles in comedies, but the...
3 comments:
Monday, October 22, 2012

How to Write Every Day (In Theory)

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In the world of writing advice, there are certain maxims which get repeated ad nauseum: “Show, Don’t Tell”, “Be Specific, Not Generic”, “...
7 comments:
Sunday, October 21, 2012

Storyteller’s Rulebook #155: Write About a World You Understand

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All right, people, it’s time for another  epic “putting it all together” piece.   In  light of what I’ve subsequently figured out, I went...
2 comments:
Thursday, October 18, 2012

Storyteller’s Rulebook #154: Your Career Begins When You Know What Not to Write

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Following up on Tuesday’s post, once you know how to recognize assets and liabilities , you’re one big step closer to the turning point in...
3 comments:
Wednesday, October 17, 2012

Books Vs. Movies, Addendum: All Behavior Looks Worse Onscreen, Part 2

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When my wife held her big “ Top 100 Chapter Books ” poll, the most recent book in the top ten was “Holes” by Louis Sachar.   Since being r...
6 comments:
Tuesday, October 16, 2012

Storyteller’s Rulebook #153: If You've Got a Hard Sell, You Have to Know Your Assets

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M ovie buyers are especially skittish these days , and it’s hard to get challenging movies made, unless you have a lot of clout.  Neverthele...
3 comments:
Sunday, October 14, 2012

Books Vs. Movies, Addendum: All Behavior Looks Worse Onscreen

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Sometimes a trailer comes along that is so revolting that you can actually hear an involuntary hiss start to rise from the audience. The ...
12 comments:
Thursday, October 11, 2012

Storyteller’s Rulebook #152: Give Every Hero a Part of Yourself

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In each of the first three seasons of “The Sopranos”, Tony got stuck in a rut until a crisis was forced upon him by the death of someone i...
2 comments:
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About Me

Matt Bird
Evanston, Illinois, United States
My book "The Secrets of Story: Innovative Tools for Perfecting Your Fiction and Captivating Readers", from Writer's Digest Press, is available in all fine bookstores. I have an MFA in Screenwriting from Columbia University.
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