Cockeyed Caravan
Thursday, May 31, 2012

What I Wish I'd Heard At Graduation, Part 3: They Can’t Buy You, They Can Only Buy Your Material

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Connections are great.  Impressing people at parties is great.  Being the most well-liked writer in town is great.  All of the...
4 comments:
Wednesday, May 30, 2012

What I Wish I'd Heard At Graduation, Part 2: Stockpile Your Work Until Everyone Is Telling You That You’re Ready

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A lot of aspiring screenwriters keep churning out self-indulgent scripts, thinking that their goal is to find one “enlightened” ...
2 comments:
Tuesday, May 29, 2012

What I Wish I'd Heard At Graduation, Part 1: Don’t Confuse Your Goals With Your Strategies

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Before I go on summer hiatus, here’s a round-up of some advice I really wish I’d gotten for a career in the arts…   You probab...
2 comments:
Monday, May 28, 2012

Warning: Upcoming Summer Hiatus

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So folks, have you noticed that the advice has been getting a bit more hard-edged on this blog recently?   That’s because I’m si...
13 comments:
Sunday, May 27, 2012

What Should’ve Won That Could’ve Won: 1937

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The Year: 1937  What the Nominees Were: The Awful Truth, Captains Courageous, Dead End, The Good Earth, In Old Chicago, The Life...
4 comments:
Thursday, May 24, 2012

Storyteller’s Rulebook #138: People Don’t Speak in Complex Sentences

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--> People don’t speak in complex sentences. This is not only because our minds aren’t quite fast enough to nest clauses on t...
4 comments:
Wednesday, May 23, 2012

Common First Draft Notes, Part 3: Dialogue Notes

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Okay, to conclude this series the notes I most often give to first drafts, let’s look at some dialogue notes:   Too much how it is, not...
3 comments:
Tuesday, May 22, 2012

Common First Draft Notes, Part 2: Character Notes

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Okay, yesterday we talked about some of the general notes that I typically give when I read people’s first drafts.   Now let’s t...
Monday, May 21, 2012

Common First Draft Notes, Part 1: General Notes

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We spent the last week and a half talking about how to re-write a script based on notes.   As part of that, I went back and re-r...
2 comments:
Sunday, May 20, 2012

How to Re-Write, Part 7: Allow Your Changes to Snowball

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So now you have a list of all the changes you want to make, but you’re still not quite ready to dive into the rewrite.  Befo...
1 comment:
Thursday, May 17, 2012

How to Re-Write, Part 6: Pair Off Your Problems

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It’s important to get lots of notes piled up before you start fixing any of them individually.  The danger is that you’ll deal w...
Wednesday, May 16, 2012

How to Re-Write, Part 5: Don’t Paper Over the Problem

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I love it when I’m watching a troubled movie and I can actually see the studio’s notes being physically inserted into the text b...
4 comments:
Tuesday, May 15, 2012

How to Re-Write, Part 4: It’s Hard to Fill a Hole Without Digging a New One

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When building a house, it’s not immediately obvious where the load-bearing walls are.  If the client comes in and says, “I want to make t...
1 comment:
Monday, May 14, 2012

How to Re-Write, Part 3: Heed The Notes You Get and the Notes You Don’t Get

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--> You can only see one dimension of your own work.   If you want to know the shape of it, you have to seek out other eyes...
4 comments:
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About Me

Matt Bird
Evanston, Illinois, United States
My book "The Secrets of Story: Innovative Tools for Perfecting Your Fiction and Captivating Readers", from Writer's Digest Press, is available in all fine bookstores. I have an MFA in Screenwriting from Columbia University.
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